Saturday Night and Sunday Morning (1960)

Saturday Night and Sunday Morning (1960)

2/5
(1 votos)

Un trabajador de fábrica rebelde y de vida dura hace malabares con sus relaciones con dos mujeres, una de las cuales está casada con otro hombre pero embarazada de su hijo.

Actores
Albert Finney·Hylda Baker·Rachel Roberts·Shirley Anne Field
Dirigido por
Karel Reisz
Género
Drama·Romance
Idioma
English
País
UK
7.6IMDb

Director
Karel Reisz

Alan Sillitoe
Albert FinneyArthur
Shirley Anne FieldDoreen
Hylda BakerAunt Ada
Norman RossingtonBert
Bryan PringleJack
Robert CawdronRobboe
Edna MorrisMrs. Bull
Elsie WagstaffMrs. Seaton
Frank PettittMr. Seaton
Avis BunnageBlousy Woman
Colin BlakelyLoudmouth
Irene RichmondDoreen's Mother
Louise DunnBetty
Anne BlakeCivil Defence Officer
Peter MaddenDrunken Man
Alister WilliamsonPoliceman
John Dankworth
Barry MasonSinger in Pub
Pamela Mann
Roger AvonPoliceman at Window Breaking
Freddie Francis
Peter SallisMan in Suit
Robert AldousOnlooker
Stephen DartnellClubhouse Worker
Bartlett MullinsWaiter
Karel Reisz
Harry Saltzman
Michael SillitoeDrummer in Pub
Jack SmethurstWaiter
Diana ChesneyBarmaid
Rodney DinesFairground Goer

Three years before the big budget and Oscar winning Tom Jones, the actor who much later in his career starred in films like Big Fish, The Bourne Ultimatum and Skyfall got his debut in this all British film, which featured in the book 1001 Movies You Must See Before You Die, from director Karel Reisz (The French Lieutenant's Woman). Basically, set in 1960's Nottingham, young factory machinist Arthur Seaton (BAFTA winning and nominated Albert Finney) is hardworking and only gets paid modest wages, he is angry at many things in his life, including his parents, and he does not to stay living in drudgery like all around him.

I'm surprised I haven't read more (only one that I noticed in one of the other commentaries) about the similarities between this movie and its near clone, Alfie, six years later. Both Brit playboys, both ne'er do-wells, both involving unwed pregnancies and the consequences, and abortion.

The film is about working-class alienation end of.It portrays this brilliantly in the dismal Nottingham factory setting- day after day- in a world where you have one night to put on your teddy boy suit and winkle pickers, and numb yourself stupid with alcohol (and a loose and desperate colleague's wife)- before returning to the grime of your lathe, and another 1000 bolts to make before clock-off.